You’ve probably seen different highlights in cities on your travels. Each of these motifs was created by order of a king or ruler and by ancient artists. Rajb role In Fars, it is one of the most beautiful examples of ancient sculpture in Iran. If to visit Persepolis Go, visit the secrets of Rajab’s role in your plan and do not miss it. Join us in this interesting and readable article to inform you about the name of Rajab and his secrets.
Three kilometers north of Persepolis, we reach a historical monument that is less visited by tourists and visitors. According to the article on the secrets of Rajab’s role, you should know that the reliefs and beautiful lithographs are placed together in this place with strange calmness. Rajab’s role in Fars was carved on the northern slope of Rahmat Mountain. This area is located on the way from Persepolis to the pool and on the right side of the road; Twenty-five centuries ago, the route was the highway from Susa to Sard and includes scenes from historical events with the inscription of Ardeshir I, the role of Shapur I and his coronation, as well as the inscription of Cartier, a first-rate cleric and cleric in the Sassanid era. .
The founder of the Sassanid Empire is Ardashir I and his coronation inscription is the oldest carving in the role of Rajab in Persia. The motifs in the role of Rajab are the narrators of three scenes of events and happenings of the Sassanid Empire, which we will discuss in the following. According to the article Secrets of Rajab’s Role, you should know that the existing inscriptions or reliefs show 4 parliaments:
– The coronation of Ardeshir Babakan, the founder of the Sassanid Empire
– The prominent role of Cartier
– The coronation scene of Shapur I
– Shapur and the courtiers
Coronation of Ardeshir Babakan, the founder of the Sassanid Empire
Among the engraved designs, the relief belongs to Ardashir I than other older designs. Ardeshir’s father defeated Ardavan V in a battle and ascended the throne. However, his life did not give him a royal respite and the throne passed to his son, Ardashir I. This role shows the scene of Ardeshir’s capture of Ahuramazda. According to the secrets of Rajab’s role, you should know that in this sculpture, Ardeshir is depicted on the left in the form of a profile. She wears a hat adorned with a cream ball, and her makeup includes short hair, a necklace around her neck, a long dress, and a sword on her left foot. In honor of Ahuramazda, Ardashir raises his index finger and takes Dehim from Ahuramazda with his right hand.
On the left side of the relief of Ardashir I, there is a small role that was added in the time of Bahram II and Cartier shows the Sassanid priest. Carter was an influential and powerful cleric who was present from the time of Shapur I, Bahram I and Bahram II Sassanids. According to the article on the name of Rajab, you should know that he was beardless with a round hat and a ribbon around it and a necklace with large pearls. He raises the index finger of his right hand to pay homage to the Majlis Shapur and points to the inscription behind him.
Shapur I coronation scene
In the role of Rajab, the embossed crown of Shapur I is seen on horseback in a frame approximately four meters long. This role, which is one of the masterpieces of Sassanid engraving or sculpture, was played with proper proportions and balance. Shapur is riding on a strong and well-groomed horse and with his right hand he takes the royal ring from Ahura Mazda on horseback. Shapur put his left hand on the grip of the sword and the king’s hands and face were badly damaged. According to the article titled Rajab’s role, you should know that Ahuramazda is depicted in this scene with a congressional crown on his head, curly hair up to his shoulders and a cover similar to the dress of the first Shapur.
Shapur and the courtiers
In the north of Naghsh Rajab area in Fars, a space of 6 meters is dedicated to the show of Shapur and the courtiers. Shapur is riding on a strong and well-groomed horse. The horse is displayed in such a way that it induces a good sense of movement. Behind Shapur stand nine of the country’s elders, Shapur is wearing a long pleated dress and thin half-boots with long straps, he has curly and long hair up to the shoulder and a royal crown with ribbons hanging in the air. Perhaps the people who are looking for the king have gone to attend the coronation ceremony, the celebration or an important ceremony. In this scene, on the front of the king’s horse, there is a four-line inscription in the Sassanid Pahlavi script, a little further on, an inscription with the same theme can be seen in six lines.
Naghsh Rajab Fars is the name used for this region. But there is no compelling reason to use Rajab’s name. The first source to use the name was the travelogue of the Danish tourist Casten Niebuhr. The historical collection of the role of Rajab Fars was registered in the list of national monuments of Iran on September 15, 1941.